The CanyonReviewed by
Stephen Farber
October 26, 2009
This formula has been reworked in such films as "A Perfect Getaway" and "Breakdown." In "The Canyon," a so-so variation on a familiar theme, a pair of honeymooners are traveling by mule through the Grand Canyon when disaster strikes. This potboiler has some thrills, but it will not make much of a splash at the boxoffice. Nick (Eion Bailey) and Lori (Yvonne Strahovski) are determined to trek to the bottom of the Grand Canyon. But they neglected to secure a permit or reserve a guide in advance, so their honeymoon plans are in jeopardy. Just when they are prepared to abandon their quest, they meet a grizzled old codger in a bar, and Henry (Will Patton) offers to bend the rules and take them on their own private caravan through the canyon. They ignore a hundred warning bells to follow this rapscallion into the wild. Dialogue is at a fairly primitive level, and though Bailey and Strahovski make an attractive couple, they aren't going to be vying for any year-end acting awards. Patton, however, gives a shrewd performance in a fairly truncated role. The film also has some scary set-pieces: An encounter with a rattlesnake is bone-chilling, there are nasty wolves that threaten the honeymooners, and a scene in which they attempt to climb a jagged cliff crackles with suspense and leads to a shocking denouement. The end credits acknowledge snake, scorpion, vulture and crow trainers, and these guys definitely earned their pay. Although the scenery is spectacular, the print screened for the press looked muddy. Maybe the movie will look better when it is shown on DVD, which will happen soon enough. Although the script is rudimentary, there are just enough thrills to satisfy undemanding audiences looking for a few gruesome jolts of adrenaline. Genre: Thriller Written by: Steve Allrich Directed by: Richard Harrah Starring: Eion Bailey, Yvonne Strahovski, Will Patton, Wendy Worthington – Nielsen Business Media |
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Events Calendar
Industry Grosses
| Rank | Title | Gross |
|---|---|---|
| 1. | WICKED | $1,534,111 |
| 2. | THE LION KING | $1,445,999 |
| 3. | SPIDER-MAN TURN OFF THE DARK | $1,433,241 |
| 4. | THE BOOK OF MORMON | $1,425,488 |
| 5. | HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING | $1,319,824 |
| 6. | WAR HORSE | $960,191 |
| 7. | JERSEY BOYS | $915,982 |
| 8. | PORGY AND BESS | $878,884 |
| 9. | FOLLIES | $878,880 |
| 10. | THE MOUNTAINTOP | $693,128 |
Week ending Feb 06, 2012.
Credit: The Broadway League
| Rank | Title | Gross |
|---|---|---|
| 1. | CHRONICLE | $22,004,098 |
| 2. | WOMAN IN BLACK, THE | $20,874,072 |
| 3. | GREY, THE | $9,300,999 |
| 4. | BIG MIRACLE | $7,760,205 |
| 5. | UNDERWORLD AWAKENING | $5,500,744 |
| 6. | ONE FOR THE MONEY | $5,206,279 |
| 7. | RED TAILS | $4,735,595 |
| 8. | DESCENDANTS, THE | $4,552,943 |
| 9. | MAN ON A LEDGE | $4,351,036 |
| 10. | EXTREMELY LOUD & INCREDIBLY CLOSE | $3,802,367 |
Week ending Feb 06, 2012.
